Too big to paint on location: Marcia’s method

quarter scale version of "Fog, Sun, and Tides" painted on location

"Fog, Sun, and Tides" quintych, two panels 48"x78", three panels 78"x48"

IN THE LAST two or three years I have painted some very large-scale works for hospital settings. The tallest was 8 feet tall; the widest was 11 feet wide.

These very large paintings are too big to take on location, and they are too large to paint without a plan, even though ordinarily that is exactly how I proceed. (I think of it as the “fool around until satisfied” approach.) (more…)



Marcia’s Supply List:

PAINTS:

Golden heavy body acrylics:
Golden ACRY 8oz Titanium White
Golden ACRY 2oz Primary Yellow
Golden ACRY 2oz Cadmium Yellow Medium
Golden ACRY 2oz Cadmium Orange
Golden ACRY 2oz Cadmium Red Light
Golden ACRY 2 oz Primary Magenta
Golden ACRY 2oz Dioxazine Purple
Golden ACRY 2oz. Chrome Oxide Green
Golden ACRY 2oz Permanent Green Light
Golden ACRY 2 oz Turquois
Golden ACRY 2oz Primary Cyan
Golden ACRY 2oz Cobalt Blue
Golden ACRY 2oz Ultramarine Blue
Golden ACRY 2oz Violet Oxide
For Hooker’s Green, I highly recommend you buy Miami Brera 60ML Hookers Green.

Alternatives: Liquitex High Viscosity, and Maimeri Brera. (more…)



Summer in the Tyrol, 14x18 inches

Travel Tips for painters

Paintings I created during vacations have turned out to be the ones my husband and I love more than any others. We arrange them on our bedroom wall, and every morning sit with our coffee remembering the hours we spent in those special places. (more…)



Painting with Acrylics

by Marcia Burtt

Here is a brief description of how I use acrylic paints outdoors. I’ve highlighted the absolute minimum you will need to bring to participate in my workshops.

Acrylics dry fast and thin, enabling me to continually repaint areas without losing freshness. When my first thin wash works, I can leave it alone and enjoy almost the brilliance of watercolor. If, as usually happens, I want to rework or adjust shapes, I am able to paint over the dry layer immediately.

I’ve now been a landscape painter for over 30 years, and am still crazy about acrylics. In order to adapt to the special requirements of painting on location, I’ve devised a simple paint-and-time-saving system for taking acrylics into the open air—and, in fact, I use the basic elements of this system in the studio.

(more…)



Painting for Beginners

by Marcia Burtt

Great news! If you’ve never made a painting before you won’t be hampered by all the “dos and don’ts” that confuse and constrict people who have studied art.

Remember: 1) no one but you can make a painting just like yours; 2) you’ll truly enjoy yourself if you don’t worry about what anyone else would say or do; and 3) if something bothers you about your painting, change it.
Art is the one activity in which you make the rules.

Because they are quick drying and opaque, acrylic paints do not demand planning. Changing your mind constantly is not a problem and in fact can add to the spontaneity and freshness of the end product.
However if you prefer to plan you may draw out your design first in pencil, charcoal, or with thin lines of paint. Just remember that what you liked in linear form may not look as good to you when painted, so feel free to paint outside the lines or completely obliterate them as you go.

(more…)



American Artist Sept. 2010

Marcia’s work is featured in the article “The History & Development of Acrylic” in the September 2010 issue of American Artist. It’s available for order online:
http://www.interweavestore.com/Art/American-Artist-Magazine/American-Artist-September-2010.html



American Artist June 2010

Marcia is featured in the article “Making all the Rules in Acrylic” in the June 2010 issue of American Artist. Back issues can be ordered online:
http://www.interweavestore.com/Art/American-Artist-Magazine/American-Artist-June-2010.html



Additional Resources

PleinAirArt.net, plein air artists, galleries, workshops, organizations, events and opportunities www.PleinAirArt.net

SCAPE Southern California Artists Painting for the Environment.
www.s-c-a-p-e.org

The Oak Group www.theoakgroup.info

New Traditions Art Panels Great source for light weight art panels
www.newtraditionsartpanels.com

Metropolitan Picture Framing Fast, reliable, custom framing, Marcia likes the maple floaters. www.metroframes.com

Hot MARTketing Workbook – The Business of Selling your Art Marcia highly recommends taking one of Robert and Kate Burridge’s art marketing workshops or purchasing this workbook to learn the business side of being an artist. www.robertburridge.com/Products/



Plein Air painting in cold snowy conditions with acrylics

When you are painting at high altitudes or in extremely hot dry conditions, you can modify acrylics by using glazing medium instead of water, allowing them to stay moist long enough to at least get your brush to the canvas before the paint dries.

But what do you do in cold snowy conditions?

Unlike oils which are naturally tacky, acrylic paints are somewhat moist to begin with. Acrylics depend on evaporation to dry, and there is no evaporation in extremely cold temperatures. The air simply won’t hold the moisture it can at higher temperatures.* (more…)



Golden’s Open Formula acrylics

I jumped on Golden’s Open Formula acrylics as soon as I heard about them, thinking they would provide a great medium for revision in the studio, since working on field paintings in the studio can be tricky with acrylics.

That’s because the subject is no longer before me and my only reference, the painting itself, is gone once I paint over parts of it.
Sometimes by the time I step back and decide I don’t like the new version, it’s dry.
(more…)



Violet Oxide or Burnt Sienna?

Even though violet oxide and burnt sienna look similar on the palette, burnt sienna gives an almost pinkish tone when mixed with white, while violet oxide produces a nearly neutral color with overtones of violet and grey. I mix it with other colors to accurately paint winter grasses, rocks, gravel, or sand.
I also like to mix it with cobalt blue to make a beautiful grey, or with Hooker’s green to make a deep black.

Marcia



Paintbox alternative

Marcia received this tip from Susan Watson:

“I like an OXO Good Grips ice cube tray to hold my paints because it has a lid and the compartments are rounded at the bottom, which makes for very easy cleaning.

Occasionally, I need to clean out one of the compartments if the color has become too muddy. I put on some rubber gloves and scoop out the muddy color with a paper towel and then add fresh paint . . . very easy.

The lid slides on. It is not air-tight, but I spray the paint before I slide the lid on and then put it in a plastic bag to make sure that the paint will not dry out. Hefty Jumbo 2.5 Gallon plastic zip lock bags are large enough for the tray to slip in easily.

The lid is a nice feature because it keeps the moisture in and keeps the paint from getting inside a plastic bag (the problem with a regular ice cube tray).

The ice cube tray also fits nicely on my Soltek easel with plenty of room for a water container and a palette.”

–Susan Watson



Create Better Paintings

Find out why Marcia prefers acrylic to oil and painting on location rather than in a studio:

Download Pdf of article



Workshop Magazine, Winter 2005



Southwest Art, “Artistic License” April 2002

download: Southwest Art, “Artistic License” April 2002



American Artist, “A Systematic Approach to Acrylic Landscapes,” January 1996

download: American Artist, “A Systematic Approach to Acrylic Landscapes,” January 1996